“With COCKSUCKER BLUES, Frank bids a final adieu to the utopia of the Beat generation. What did the Rolling Stones expect when they hired him to make a film about their 1972 North American tour? There are scenes of groupie sex in private jets, cocaine snorting, and even a masturbation scene in which Jagger reveals himself to be the cameraman in a reflected image. But ultimately Frank focuses on the lonely spaces that permeate the rock-and-roll machine. This is the ultimate direct cinema. The camera movement infects the images with an unbelievable filmic energy, and Frank ignores all orientation guidelines. Populated by the living dead, COCKSUCKER BLUES is a zombie film with no refuge.” –Tate Modern
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